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Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849-1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.

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Book Details

ISBN: 9780521820738
ISBN-10: 0521820731
Format: Hardback
(228mm x 152mm x 17mm)
Pages: 230
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 1-May-2003
Country of Publication: United Kingdom

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Author Biography - Alexander Rehding

Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.

Books By Author Alexander Rehding

Music and Monumentality by Alexander Rehding

Music and Monumentality

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