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Throughout the history of imperial China, the educated elite used various means to criticise government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions - some transparent, other deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity.

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Book Details

ISBN: 9780674007826
ISBN-10: 0674007824
Format: Paperback
(276mm x 212mm x 16mm)
Pages: 434
Imprint: Harvard University Press
Publisher: Harvard University Press
Publish Date: 2-Apr-2002
Country of Publication: United States

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