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The term 'Post-Impressionist' was coined in 1910, to describe the work of the French painters of the 1880s and 90s - principally Cezanne, Gauguin and Van Gogh - but has never been a satisfactory label. In this lively survey and sophisticated reappraisal of a period of avant-garde experimentation, many minor as well as major artists are discussed and illustrated. By concentrating on what the artists and contemporary critics did and said, and by looking at what the artists painted, the author raises very sharply the question of what 'Post-Impressionism' means and reveals a fascinating glimpse of personal rivalry, commercial pressures, individual initiatives and shifting allegiances - and no simple pattern at all.

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Book Details

ISBN: 9780714826622
ISBN-10: 0714826626
Format: Paperback
(305mm x 225mm x 15mm)
Pages: 192
Imprint: Phaidon Press Ltd
Publisher: Phaidon Press Ltd
Publish Date: 14-Jun-1990
Country of Publication: United Kingdom

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Author Biography - Belinda Thomson

Belinda Thomson studied at the University of East Anglia, at the Sorbonne and at the Courtauld Institute of Art in London. Her research has been concerned with late nineteenth-century French painting and, in particular, with the Nabis.

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