Description - Tragedy, Modernity and Mourning by Olga Taxidou
This powerful reinterpretation of Greek tragedy focuses on the performative - the physical and civic - dimension of tragedy. It challenges the idealist, humanist, and universalist approaches that have informed our most cherished philosophical, psychoanalytical, and modern interpretations of Greek tragedy and, in doing so, asks us to renew our relation to these works and to our literary and philosophical inheritance. The book reassesses tragic form in relation to Athenian democracy and links it with a performative discourse that both excludes the feminine and relies on civic and private forms of mourning. At the same time, it explores the centrality of tragedy for thinkers of Modernity such as Holderlin, Nietzsche, Hegel, Freud, Brecht and Benjamin. Through a persuasive analysis of both classical theorists - Plato and Aristotle - and modern theorists - Benjamin, Lacan, Kristeva, Derrida and Butler - the book significantly shifts the emphasis from a Sophoclean model of tragedy to a Euripidean one. Close readings of the performance aspects of Greek play-texts help illuminate these ideas.
Features * Compelling new interpretation of Greek tragedy * Performance based * Attentive to issues of gender
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(234mm x 156mm x 24mm)
Edinburgh University Press
Publisher: Edinburgh University Press
Country of Publication:
Book Reviews - Tragedy, Modernity and Mourning by Olga Taxidou
Author Biography - Olga Taxidou
Olga Taxidou is Reader in English Literature and Drama at the University of Edinburgh. She is author of The Mask: A Periodical Performance by Edward Gordon Craig (Routledge, 1998) and of Tragedy, Modernity and Mourning (Edinburgh University Press, 2004) and co-editor of Modernism: An Anthology of Sources and Documents (Edinburgh University Press, 1998) and of Post-War Cinema and Modernism: A Film Reader (Edinburgh University Press, 2000).