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Description - Treasures of 19th and 20th Century Painting by James N. Wood

This Tiny Folio book highlights some of the most celebrated European and American paintings from the nineteenth and twentieth centuries that are part of the permanent collection at The Art Institute of Chicago. Included in this collection are numerous masterpieces of Realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of Modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic. For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now-beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean-Auguste-Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media-appropriated Pop-art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.

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Book Details

ISBN: 9780789204028
ISBN-10: 0789204029
Format: Hardback
(111mm x 102mm x mm)
Pages: 336
Imprint: Abbeville Press Inc.,U.S.
Publisher: Abbeville Press Inc.,U.S.
Publish Date: 1-Oct-1997
Country of Publication: United States

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Author Biography - James N. Wood

James N. Wood was the Director of The Art Institute of Chicago for 25 years. He also served as president and chief executive of the Getty Trust in 2006 and before taking over the Art Institute, he was the director of the St. Louis Art Museum for six years. He also held positions at the Metropolitan Museum of Art and the Albright--Knox Art Gallery in Buffalo.