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This book delves into the theatre of Spanish dramatist Jose Maria Rodriguez Mendez, one of the most significant Spanish playwrights of the twentieth century and an acerbic cultural commentator. The book traces the development of Rodriguez Mendez's work from the hard times of the Franco dictatorship through the uncertainties of the transition to democracy. Rodriguez Mendez's theatre is saturated by the socially explosive concept of Spanishness, dramatized as a dazzling range of popular performances of cultural identity in various periods from the middle ages to the present. The author locates the kernel of this impression in Rodriguez Mendez's interpretation of 'machismo espanol' as a volatile yet universal articulation of Spanish identity charged with the dissident voice of popular resistance to constraining political and ideological structures. The analysis of Rodriguez Mendez's work from the late 1950s to the mid-70s is enriched by detailed evidence from censors' reports, providing fascinating case studies of the unpredictability of censorship under a dictatorial regime. Some of his most powerful plays banned during that time have been revived since 1975, and the book includes discussion of these influential productions.

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Book Details

ISBN: 9781841501345
ISBN-10: 1841501344
Format: Paperback
(229mm x 173mm x 17mm)
Pages: 224
Imprint: Intellect Books
Publisher: Intellect Books
Publish Date: 1-Feb-2007
Country of Publication: United Kingdom

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Author Biography - Michael Thompson

Dr. Michael Thompson is a Lecturer in Spanish at the University of Durham. He is co-author of A New History of Spanish Writing, 1939 to the 1990s (2000), and has published articles and essays on various aspects of modern Spanish theatre, including the work of Garcia Lorca, Alberti, Buero Vallejo, Rodriguez Mendez, Martin Recuerda and Pedrero and theatre censorship during the Franco dictatorship. He has also published translations of plays by Buero Vallejo and Pedrero. He is General Editor of the Durham Modern Languages Series.

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