Description - Self Portrait with Cows Going Home by Sylvia Plachy
Self Portrait with Cows Going Home - Plachy's most complex and personal book to date - is composed of a rhythmic cycle of photographs taken over the past forty years during several trips back to Eastern Europe, pictures from her own family albums, and stories of growing up there. As a whole, the pictures in Self Portrait with Cows Going Home interact non-linearly to form a moving and innovative book that is experienced, not as a narrative telling of Plachy's life, but with the intensity and mystery of memory itself. Recent photographs taken on the set of the film The Pianist, and in particular of her son Adrien Brody, are indicative of her ability to condense expansive layers of meaning within a single image: serving simultaneously as representations of Nazi era Europe, as film stills, and as tender portraits of her son.
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(286mm x 242mm x 22mm)
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Book Reviews - Self Portrait with Cows Going Home by Sylvia Plachy
Author Biography - Sylvia Plachy
Sylvia Plachy's other books include Unguided Tour (Aperture, 1990), for which she won an International Center of Photography Infinity Award; Red Light, a book of documentary work on the sex industry (1996); and Signs and Relics (2000). Plachy has had one-person shows at the Whitney Museum at Philip Morris, the Queens Museum, and the Minneapolis Institute of Fine Arts among other venues in the United States, as well as in Budapest, Ljubljana, Manchester, Berlin, Vancouver, Perpignan, Arles, and in Pingyau, China. She has won a Guggenheim fellowship, and publishes regularly in periodicals including The New Yorker, Time, Smithsonian, GEO, and The Village Voice.