Description - The Ngaio Marsh Collection (7) - Off with his Head / Singing in the Shro by Ngaio Marsh
Commemorating 75 years since the Empress of Crime's first book, the seventh volume in a set of omnibus editions presenting the complete run of 32 Inspector Alleyn mysteries. OFF WITH HIS HEADWhen the pesky Anna Bunz arrives at Mardian to investigate local folk-dancing, she quickly antagonizes the villagers. But Mrs Bunz is not the only source of friction. When the sword dancers' traditional mock beheading of the Winter Solstice becomes horribly real, Superintendent Roderick Alleyn finds himself faced with a complex case of gruesome proportions...SINGING IN THE SHROUDSOn a cold February London night, the police find a corpse on the quayside, her body covered with flower petals and pearls. The killer, who walked away singing, is known to be one of nine passengers on the cargo ship, Cape Farewell. Superintendent Roderick Alleyn joins the ship on the most difficult assignment of his career...FALSE SCENT Mary Bellamy, darling of the London stage, holds a 50th birthday party, a gala for everyone who loves her and fears her power. Then someone uses a deadly insect spray on Mary instead of the azaleas. The suspects, all very theatrically, are playing the part of mourners. Superintendent Alleyn has to find out which one played the murderer...
Buy The Ngaio Marsh Collection (7) - Off with his Head / Singing in the Shro by Ngaio Marsh from Australia's Online Independent Bookstore, Boomerang Books.
(197mm x 130mm x 39mm)
HarperCollins Publishers Ltd
Publisher: HarperCollins Publishers
Country of Publication:
Book Reviews - The Ngaio Marsh Collection (7) - Off with his Head / Singing in the Shro by Ngaio Marsh
Author Biography - Ngaio Marsh
Dame Ngaio Marsh was born in New Zealand in 1895 and died in February 1982. She wrote over 30 detective novels and many of her stories have theatrical settings, for Ngaio Marsh's real passion was the theatre. She was both actress and producer and almost single-handed revived the New Zealand public's interest in the theatre. It was for this work that the received what she called her 'damery' in 1966.